Mary Corse: A Survey in Light
June 8–Nov 25, 2018
Mary Corse’s first solo museum survey is a long overdue examination of this singular artist’s career. Initially trained as an abstract painter, Corse (b. 1945, Berkeley, CA) emerged in the mid-1960s as one of the few women associated with the West Coast Light and Space movement. She shared with her contemporaries a deep fascination with perception and with the possibility that light itself could serve as both a subject and material of art. Yet while others largely migrated away from painting into sculptural and environmental projects, Corse approached the question of light through painting. This focused exhibition highlights critical moments of experimentation as Corse engaged with tropes of modernist painting, from the monochrome to the grid, while charting her own course through studies in quantum physics and complex investigations into a range of “painting” materials, from fluorescent light and plexiglass to metallic flakes, glass microspheres, and clay. The survey will bring together for the first time Corse’s key bodies of work—including her early shaped canvases, freestanding sculptures, and light encasements that she engineered in the mid-1960s, in her early twenties, as well as her breakthrough White Light paintings, begun in 1968, and the Black Earth series that she initiated after moving in 1970 from downtown Los Angeles to Topanga Canyon, where she lives and works today.
The exhibition is organized by Kim Conaty, Steven and Ann Ames Curator of Drawings and Prints, with Melinda Lang, curatorial assistant.
Mary Corse: A Survey in Light is organized by the Whitney Museum of American Art, New York, in association with the Los Angeles County Museum of Art.
Significant support is provided by The Barnett and Annalee Newman Foundation, Sueyun and Gene Locks, and Donna Perret Rosen and Benjamin M. Rosen.
Generous support is provided by the John R. Eckel, Jr. Foundation.
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Audio guides
Mary Corse (b. 1945), Untitled (Space + Electric Light), 1968. Argon light, plexiglass, and high-frequency generator, 45 1/4 x 45 1/4 x 4 3/4 in. (114.9 x 114.9 x 12.1 cm). Museum of Contemporary Art San Diego; museum purchase with funds from the Annenberg Foundation. Photograph by Philipp Scholz Rittermann
Hear directly from Mary Corse and curator Kim Conaty on selected works from the exhibition.
Installation Photography
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (Two Triangular Columns), 1965; Untitled (Space Plexi + Painted Wood), 1966; Untitled (Two Triangular Columns), 1965; Untitled (White Diamond, Negative Stripe), 1965; Untitled (Hexagonal White), 1965. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (Two Triangular Columns), 1965; Untitled (Two Triangular Columns), 1965; Untitled (Space + Electric Light), 1968; Untitled (Space Plexi + Painted Wood), 1966; Untitled (Space Plexi + Painted Wood), 1966; Untitled (Space Plexi + Painted Wood), 1966. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (White Grid, Vertical Strokes), 1969; Untitled (White Grid, Horizontal Strokes), 1969; Untitled (Space + Electric Light), 1968. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (Hexagonal White), 1965; Untitled (Octagonal Blue), 1964; Untitled (Two Triangular Columns), 1965. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (White Grid, Vertical Strokes), 1969; Untitled (White Grid, Horizontal Strokes), 1969; Untitled (Light Painting), 1971. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (White Grid, Horizontal Strokes), 1969; Untitled (Light Painting), 1971; Untitled (White Arch Inner Band Series), 1996. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (First White Light Series), 1968; Untitled (White Light Series), 1966; Untitled (White Grid, Vertical Strokes), 1969. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (Light Painting), 1971; Untitled (White Inner Band, Beveled), 2011; Untitled (White Light Band Series), 1991. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (Black Light Painting), 1975; Untitled (Black Earth Series), 1978. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (White Light Series), 1966; Untitled (Black Light Painting), 1975. © Mary Corse. Photograph by Ron Amstutz
Installation view of Mary Corse: A Survey in Light (Whitney Museum of American Art, New York, June 8-November 25, 2018). From left to right: Untitled (White Inner Band), 2003; Untitled (White Arch Inner Band Series), 1996. © Mary Corse. Photograph by Ron Amstutz
Exhibition Catalogue
This catalogue is the first comprehensive examination of Corse’s work, and features new scholarship and object studies that underscore how her groundbreaking approach to light, perception, and subjectivity forged a new language of painting.
The excerpt featured here includes a selection from curator Kim Conaty’s overview essay as well as a preview of the plate section.
In the News
"It is Mary Corse’s use of the humble paint brush that allows the viewer to become sensitive to how light is dispersed in the space they occupy."
—Hyperallergic
"These shimmering works are impossible to capture in photographs—a breathtaking antidote to Instagram bait."
—The New Yorker
"Mary Corse’s artwork shimmers, flickers, and ultimately dazzles the viewer as it reflects, refracts, and generates light."
—Artsy
"After working under the radar for more than 50 years, Mary Corse emerges from the art-world shadows with back-to-back museum and gallery openings."
—Architectural Digest
"The Whitney retrospective will highlight Corse’s key moments of experimentation across five decades."
—The Art Newspaper
"The luminous abstract canvases that will be seen there—each packs a maximal wallop with minimal means—will be a discovery for many visitors."
—The Wall Street Journal