Legacy: The Emily Fisher Landau Collection
Audio Guide Playlist
This audio guide, introduced by Alice Pratt Brown Director Adam D. Weinberg, highlights a diverse range of works from the exhibition Legacy: The Emily Fisher Landau Collection. Artists John Baldessari, Gregory Crewdson, Eric Fischl, Jasper Johns, Glenn Ligon, and Mark Tansey provide additional commentary.
NARRATOR: “YOU SPIT ON THEM BECAUSE THE TASTE LEFT ON YOUR TEETH EXCITES. YOU SHOWED THEM HOPE ALL OVER YOUR FACE FOR YEARS AND THEN KILLED THEM IN THE INTEREST OF TIME.”
Jenny Holzer’s cold, gleaming black granite bench dares you to sit. Engraved like a monument, by a professional tombstone carver, it memorializes the human psyche’s most vicious instincts. By using a material that will last for thousands of years, Holzer insists on the unending brutality of human nature. As she once explained, “Well, if everyone dies, this writing will stay on the rock. Typically, the work has a lean, minimalist appearance. Holzer’s tone is cool and neutral, making her words all the more shocking.
Words are the basis of Holzer’s art. She transfers phrases from one medium, such as the granite bench you see here, to others—stickers, posters, t-shirts, and electronic signboards.
Her politically and emotionally-charged work explores power relationships, war, sex, death, and human anxiety. This bench was part of a series featuring especially dark texts, which Holzer likened to “things that crawl out from under a rock.”
- 400 Introduction to Legacy: The Emily Fisher Landau Collection
- 401 Ed Ruscha, The Act of Letting a Person into Your Home, 1983
- 402 Andy Warhol, Portrait of Emily Fisher Landau, 1984
- 403 Willem de Kooning, (no title), 1987
- 404 Cy Twombly, Untitled, 1964/84
- 405 Richard Prince, Man Crazy Nurse #3, 2003
- 406 Mark Tansey, Valley of Doubt, 1990
- 407 Andy Warhol, Myths, 1981
- 408 Agnes Martin, This Rain, 1960
- 409 Carl Andre, GAZETTEER, 1960
- 410 Rodney Graham, Oak, Banford, 1990
- 411 Allen Ruppersberg, The Gift and the Inheritance (Strive and Succeed), 1989
- 412 John Baldessari, What This Painting Aims To Do, 1967
- 413 Joseph Kosuth, Titled (Art as Idea as Idea), [self], 1967
- 414 Nan Goldin, Self-Portrait with Milagro, the Lodge, Belmont, MA 1988, 1988
- 415 Peter Hujar, Divine, 1975
- 416 Robert Mapplethorpe, Self-Portrait, 1988
- 417 Felix Gonzalez-Torres, Untitled (Love Letter from the War Front), 1988
- 418 Glenn Ligon, Son of a Role Model, 1990/91
- 419 Gregory Crewdson, Untitled (beckoning bus driver), 2001–02
- 420 Neil Jenney, Threat and Sanctuary, 1969
- 421 Eric Fischl, Emptying of the Estuary, 1993
- 422 Jenny Holzer, Under a Rock: You Spit on Them, 1989
- 423 Jasper Johns, Painting with Two Balls, 1971
- 424 Jasper Johns, Untitled, 1988
- 425 Keith Haring, Untitled, 1985