Francis Criss
1901–1973
Introduction
Francis Hyman Criss (1901 - 1973) was an American painter. Criss's style is associated with the American Precisionists like Charles Demuth and his friend Charles Sheeler.
"Francis Criss". John Simon Guggenheim Foundation. Retrieved 3 September 2021.</ref>
The work from his best-known years, the 1930s and 1940s, is characterized by imagery of the urban environment, such as elevated subway tracks, skyscrapers, streets, and bridges. Criss rendered these subjects with a streamlined, abstracted style, devoid of human figures, that led him to be associated with the Precisionism movement. With distorted perspectives and dream-like juxtapositions, as in Jefferson Market Courthouse (1935), these empty cityscapes also suggest the influence of Surrealism.
A turn towards more commercial work later in his career—including a November 1942 cover for Fortune Magazine—led to a decline in his reputation. Criss died in 1973 in New York City.
His work is in the collections of the Brooklyn Museum, the Detroit Institute of Arts, the Philadelphia Museum of Art, the Smithsonian American Art Museum, and the Whitney Museum of American Art.
In 2021 Criss' painting Alma Sewing was featured in an essay by the art critic Sebastian Smee in the Washington Post. Smee considers Alma Sewing to be Criss' finest work. The painting in the collection of the High Museum of Art in Atlanta, Georgia.
Wikidata identifier
Q2249205
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License. Accessed April 17, 2024.
Roles
Artist, painter
ULAN identifier
500034605
Names
Francis Criss
Information from the Getty Research Institute's Union List of Artist Names ® (ULAN), made available under the ODC Attribution License. Accessed April 17, 2024.
