Stuart Davis: In Full Swing
Solo en Inglès
This audio guide features commentary about selected works in the exhibition Stuart Davis: In Full Swing, especially for kids.
500—Introduction to Stuart Davis: In Full Swing
500 Introduction to Stuart Davis: In Full Swing
502 Stuart Davis, Odol, 1924
505 Stuart Davis, Egg Beater No. 4, 1928
507 Stuart Davis, House and Street, 1931
509 Stuart Davis, Swing Landscape, 1938
511 Stuart Davis, The Mellow Pad, 1945-51
514 Stuart Davis, Owh! In San Pao, 1951
517 Stuart Davis, Première, 1957
Narrator: Hi! Welcome to the Whitney. Today we’re going to look at paintings by Stuart Davis. To start, let’s imagine what it was like when he began painting, about 100 years ago.
Try to remember a time from your own life when everything seemed totally new and exciting. Like you just found out something amazing existed, and you’d never even imagined it before.
In the 1920s almost everything seemed like that: cars, electricity, things made in factories, and Davis’s very favorite, jazz music. Davis thought it seemed wrong to paint all these new things in the same way people had painted for hundreds of years. He began to experiment, using abstract shapes and bright colors. He made modern paintings that matched the energy of the world around him. Let’s go take a closer look!