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Meet the Director

About the Whitney

As the preeminent institution devoted to the art of the United States, the Whitney Museum of American Art presents the full range of twentieth-century and contemporary American art, with a special focus on works by living artists. The Whitney is dedicated to collecting, preserving, interpreting, and exhibiting American art, and its collection—arguably the finest holding of twentieth-century American art in the world—is the Museum's key resource. The Museum's signature exhibition, the Biennial, is the country's leading survey of the most recent developments in American art.

Innovation has been a hallmark of the Whitney since its beginnings. It was the first museum dedicated to the work of living American artists and the first New York museum to present a major exhibition of a video artist (Nam June Paik in 1982). Such figures as Jasper Johns, Cy Twombly, and Cindy Sherman were given their first museum retrospectives by the Whitney. The Museum has consistently purchased works within the year they were created, often well before the artists became broadly recognized. The Whitney was the first museum to take its exhibitions and programming beyond its walls by establishing corporate-funded branch facilities, and the first museum to undertake a program of collection-sharing (with the San Jose Museum of Art) in order to increase access to its renowned collection.

Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney's new building vastly increases the Museum’s exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.

Where We Are

Solo en Inglès

Installation view of Where We Are at the Whitney Museum.

Mark Joshua Epstein: Bienvenidos a Where We Are, una exposición de obras de la colección permanente del Whitney. Yo soy educador aquí en el Whitney.

A medida que recorramos esta exposición, nos centraremos específicamente en una cuantas obras. Si quieren, las pueden comparar con el resto de las obras expuestas en la sala. Al hacerlo, se darán cuenta de que cada sala tiene una temática distinta: algunas se centran en el hogar, otras en el trabajo en familia, en el sentimiento de nación o en la espiritualidad.

Gracias por hacer este recorrido conmigo ¡y espero que disfruten hoy de su visita!


Installation view of Where We Are: Selections from the Whitney’s Collection, 1900-1960 (Whitney Museum of American Art, New York, April 28, 2017–). From left to right, top to bottom: Jacob Lawrence, War Series: The Letter, 1946; Jacob Lawrence, War Series: Docking – Cigarette, Joe?, 1947; Jacob Lawrence, War Series: On Leave, 1947; John Steuart Curry, Baptism in Kansas, 1928; Thomas Hart Benton, Poker Night (from A Streetcar Named Desire), 1948; Jacob Lawrence, War Series: Beachhead, 1947; Jacob Lawrence, War Series: Purple Hearts, 1947; Jacob Lawrence, War Series: How Long?, 1947. Photograph by Ron Amstutz