2026 Pride at the Whitney

Celebrate Pride at the Whitney all month long. Discover the queer history of the Meatpacking District, contribute to the Community Pride Mural, and get creative with artists. For all of June, drop by the Museum to enjoy inclusive activities for all ages. LGBTQ+ visitors and allies are invited to free parties, creative workshops, performances, and more.

Whitney Pride 2026


Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

More about free offerings

The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

More about the Whitney Biennial

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.


Dive Into Our Collection

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  • A steep pinkish cliff with a cascading waterfall and a lone pine tree in the foreground.
    A steep pinkish cliff with a cascading waterfall and a lone pine tree in the foreground.

    Chiura Obata, Evening Glow of Yosemite Fall, 1930. Woodblock print, sheet: 17 7/8 × 13 1/8 in. (45.4 × 33.3 cm) Image: 15 7/16 × 10 7/8 in. (39.2 × 27.6 cm). Whitney Museum of American Art, New York; gift of Gyo Obata 2014.280. © Gyo Obata

  • Painted with angular lines and emotionless faces, three suited men gaze over two open caskets, with a courthouse in the background
    Painted with angular lines and emotionless faces, three suited men gaze over two open caskets, with a courthouse in the background

    Ben Shahn, The Passion of Sacco and Vanzetti, 1931–1932. Tempera on canvas mounted on composition board, overall: 84 × 48 in. (213.4 × 121.9 cm). Whitney Museum of American Art, New York; gift of Edith and Milton Lowenthal in memory of Juliana Force 49.22. © Estate of Ben Shahn / Licensed by VAGA at Artists Rights Society (ARS), New York

  • Large abstract painting with layered horizontal color bands including pink cloud, green hills, and deep blue foreground.
    Large abstract painting with layered horizontal color bands including pink cloud, green hills, and deep blue foreground.

    Helen Frankenthaler, Flood, 1967. Acrylic on canvas, overall: 124 1/4 × 140 1/2 in. (315.6 × 356.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 68.12. © Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

  • Faceless mother and child with yellow halos, mother wearing red dress and pearls.
    Faceless mother and child with yellow halos, mother wearing red dress and pearls.

    Allan D'Arcangelo, Madonna and Child, 1963. Acrylic and gesso on canvas, overall: 68 1/2 × 60 1/8 in. (174 × 152.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2013.2. © Estate of Allan D'Arcangelo / Licensed by VAGA at Artists Rights Society (ARS), New York

  • Four standing and shirtless Black men facing and signing at the photographer against a black background. One man's face is blurred.
    Four standing and shirtless Black men facing and signing at the photographer against a black background. One man's face is blurred.

    Deana Lawson, Signs, 2016. Inkjet print, sheet (sight): 53 1/4 × 42 3/8 in. (135.3 × 107.6 cm) Image (sight): 53 1/4 × 42 3/8 in. (135.3 × 107.6 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee and the Henry Nias Foundation 2018.94. © Deana Lawson

  • A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.
    A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.

    Henry Taylor, Huey Newton, 2007. Acrylic and collaged photocopies on canvas, overall: 94 9/16 × 76 1/4 in. (240.2 × 193.7 cm). Whitney Museum of American Art, New York; gift of Martin and Rebecca Eisenberg in honor of Adam D. Weinberg 2016.86. © Henry Taylor

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.