Roy Lichtenstein: 
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Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

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Model zipping a red-and-blue dotted sherpa fleece inspired by Lichtenstein’s Cathedral #2

Gap–Lichtenstein–Whitney

Our collaboration with Gap and the Estate of Roy Lichtenstein brings the artist’s bold visual language to an 18-piece collection of clothing and accessories. Bold patterns on sherpa. Graphic prints on tees. This is art—worn by you.

Shop the Collaboration

Child drawing on paper titled "Seven Soothing Sketches" with colorful markers and a pill organizer on a table.

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs

A large stainless steel structure—the outline of a pier—hovers over the Hudson River at dusk.

Video

Watch our latest video series to dive deeper into art at the Whitney.

A view of the Museum with people and traffic in the foreground.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

Blurred images of mugshots arranged in a grid against a black background.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for commissions of net art.

Dive Into Our Collection

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  • A figure with pale skin in a bright yellow blouse surrounded by flurries of pinks, greens, and yellows
    A figure with pale skin in a bright yellow blouse surrounded by flurries of pinks, greens, and yellows

    María Berrío, A Universe of One, 2018. Collage, watercolor, and charcoal on canvas, overall: 72 × 60 in. (182.9 × 152.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Gary and Anne Borman Trust 2019.306. © María Berrío

  • A rectangular green-yellow light patch on the floor shows a streetlamp silhouette and scattered bird shadows.
    A rectangular green-yellow light patch on the floor shows a streetlamp silhouette and scattered bird shadows.

    Paul Chan, 1st Light, 2005. Video installation, black-and-white and color, silent, 14 min., overall: 103 × 245 × 283 in. (261.6 × 622.3 × 718.8 cm). Whitney Museum of American Art, New York; purchase, with funds from the Film and Video Committee 2007.4. © Paul Chan, courtesy the artist and Greene Naftali, New York

  • Large abstract painting with layered horizontal color bands including pink cloud, green hills, and deep blue foreground.
    Large abstract painting with layered horizontal color bands including pink cloud, green hills, and deep blue foreground.

    Helen Frankenthaler, Flood, 1967. Acrylic on canvas, overall: 124 1/4 × 140 1/2 in. (315.6 × 356.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 68.12. © Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

  • Grid of neatly packed seafoam colored Coca-Cola bottles. A bright red logo of the Coca-Cola brand is placed on the center plane, underneath the grid
    Grid of neatly packed seafoam colored Coca-Cola bottles. A bright red logo of the Coca-Cola brand is placed on the center plane, underneath the grid

    Andy Warhol, Green Coca-Cola Bottles, 1962. Acrylic, screenprint, and graphite pencil on canvas, overall: 82 3/4 × 57 1/8 in. (210.2 × 145.1 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 68.25. © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York

  • Seven young women stand confidently on concrete arches in a fenced urban schoolyard.
    Seven young women stand confidently on concrete arches in a fenced urban schoolyard.

    Kwame Brathwaite, Untitled (Photo shoot at a school for one of the many modeling groups who had begun to embrace natural hairstyles in the 1960s), c.1966, printed 2018. Inkjet print, sheet (sight): 29 5/8 × 29 5/8 in. (75.2 × 75.2 cm) Image (sight): 29 5/8 × 29 5/8 in. (75.2 × 75.2 cm). Whitney Museum of American Art, New York; purchase, with funds from Brian Silver 2018.136. © Kwame Brathwaite

  • A hand uses pliers to cut barbed wire in front of a tall watchtower.
    A hand uses pliers to cut barbed wire in front of a tall watchtower.

    Toyo Miyatake, Untitled (Opening Image from Valediction), 1944. Gelatin silver print mounted on board, sheet: 9 7/16 × 7 5/16 in. (24 × 18.6 cm) Image: 9 3/8 × 7 1/4 in. (23.8 × 18.4 cm) Mount: 17 × 13 15/16 × 1/16 in. (43.2 × 35.4 × 0.2 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee 2014.243. © Toyo Miyatake Studio

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.