Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

More about free offerings

The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

More about the Whitney Biennial

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.


Dive Into Our Collection

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  • A female figure in sunglasses set against a medley of colorful abstract forms, with a pair of legs extending from above
    A female figure in sunglasses set against a medley of colorful abstract forms, with a pair of legs extending from above

    Emma Amos, Baby, 1966. Oil on canvas, overall: 45 × 50 1/8 in. (114.3 × 127.3 cm). Whitney Museum of American Art, New York; purchased jointly by the Whitney Museum of American Art, New York, with funds from the Painting and Sculpture Committee; and The Studio Museum in Harlem, Museum purchase with funds provided by Ann Tenenbaum and Thomas H. Lee 2019.1a-b. © Emma Amos; courtesy of the artist and RYAN LEE Gallery, New York

  • Andy Warhol sits shirtless on a bench with his eyes closed, his skin pale and his torso scarred. A supportive corset fits snuggly around his waist.
    Andy Warhol sits shirtless on a bench with his eyes closed, his skin pale and his torso scarred. A supportive corset fits snuggly around his waist.

    Alice Neel, Andy Warhol, 1970. Oil and acrylic on linen, overall: 60 × 40 in. (152.4 × 101.6 cm). Whitney Museum of American Art, New York; gift of Timothy Collins 80.52. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel and David Zwirner

  • Two juxtaposed profile views of the same woman, one with a large nose and one with a small nose
    Two juxtaposed profile views of the same woman, one with a large nose and one with a small nose

    Andy Warhol, Before and After, 4, 1962. Acrylic and graphite pencil on linen, overall: 72 1/8 × 99 3/4 in. (183.2 × 253.4 cm). Whitney Museum of American Art, New York; purchase, with funds from Charles Simon 71.226. © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York

  • Backwards glowing neon sign spelling 'AMERICA' mounted on wall with cords and power boxes below.
    Backwards glowing neon sign spelling 'AMERICA' mounted on wall with cords and power boxes below.

    Glenn Ligon, Rückenfigur, 2009. Neon and paint, overall: 24 × 145 1/2 × 5 in. (61 × 369.6 × 12.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2011.3a-i. © Glenn Ligon

  • Young girl gauges a boy's flexed arm while bold red text reads "We don't need another hero."
    Young girl gauges a boy's flexed arm while bold red text reads "We don't need another hero."

    Barbara Kruger, Untitled (We Don't Need Another Hero), 1987. Screenprint on vinyl, overall: 108 7/8 × 209 3/16 × 2 1/2 in. (276.5 × 531.3 × 6.4 cm). Whitney Museum of American Art, New York; gift from the Emily Fisher Landau Collection 2012.180. © Barbara Kruger
    Courtesy, Mary Boone Gallery, New York

  • A woman wearing red lipstick smiles softly, her face in profile against a more vivid red background.
    A woman wearing red lipstick smiles softly, her face in profile against a more vivid red background.

    Alex Katz, The Red Smile, 1963. Oil on linen, overall: 78 7/8 × 115 in. (200.3 × 292.1 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 83.3. © Alex Katz / Licensed by VAGA at Artists Rights Society (ARS), New York

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.