Roy Lichtenstein: 
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Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

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Model zipping a red-and-blue dotted sherpa fleece inspired by Lichtenstein’s Cathedral #2

Gap–Lichtenstein–Whitney

Our collaboration with Gap and the Estate of Roy Lichtenstein brings the artist’s bold visual language to an 18-piece collection of clothing and accessories. Bold patterns on sherpa. Graphic prints on tees. This is art—worn by you.

Shop the Collaboration

Child drawing on paper titled "Seven Soothing Sketches" with colorful markers and a pill organizer on a table.

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs

A large stainless steel structure—the outline of a pier—hovers over the Hudson River at dusk.

Video

Watch our latest video series to dive deeper into art at the Whitney.

A view of the Museum with people and traffic in the foreground.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

Blurred images of mugshots arranged in a grid against a black background.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for commissions of net art.

Dive Into Our Collection

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  • A grayish-white crater of hard, rough material drawn to a center point
    A grayish-white crater of hard, rough material drawn to a center point

    Jay DeFeo, The Rose, 1958–1966. Oil with embedded fabric, string, and wood on canvas, overall: 128 7/8 × 92 1/4 × 11 in. (327.3 × 234.3 × 27.9 cm). Whitney Museum of American Art, New York; gift of The Jay DeFeo Foundation and purchase, with funds from the Contemporary Painting and Sculpture Committee and the Judith Rothschild Foundation 95.170. © The Jay DeFeo Foundation/Artists Rights Society (ARS), New York

  • A diverse group of women posing together in a living room, some seated and smiling.
    A diverse group of women posing together in a living room, some seated and smiling.

    Sylvia Sleigh, A.I.R. Group Portrait, 1977–1978. Oil on canvas, overall: 75 × 82 in. (190.5 × 208.3 cm). Whitney Museum of American Art, New York; gift of the Estate of Sylvia Sleigh 2016.234. © Whitney Museum of American Art

  • A person with short curly hair looks toward the camera against an orange background.
    A person with short curly hair looks toward the camera against an orange background.

    Howardena Pindell, Free, White and 21, 1980. Video, color, sound, 12:15 min., aspect Ratio: 4:3. Whitney Museum of American Art, New York; purchase, with funds from the Film, Video, and New Media Committee 2015.35. Courtesy the artist and Garth Greenan Gallery, New York

  • Abstract artwork with a large central black oval and various textured shapes and holes.
    Abstract artwork with a large central black oval and various textured shapes and holes.

    Lee Bontecou, Untitled, 1961, 1961. Welded steel, canvas, wire and rope, overall: 72 1/2 × 66 × 24 3/4 in. (184.2 × 167.6 × 62.9 cm). Whitney Museum of American Art, New York; purchase 61.41. © Lee Bontecou; Courtesy Michael Rosenfeld Gallery, N.Y.

  • A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.
    A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.

    Henry Taylor, Huey Newton, 2007. Acrylic and collaged photocopies on canvas, overall: 94 9/16 × 76 1/4 in. (240.2 × 193.7 cm). Whitney Museum of American Art, New York; gift of Martin and Rebecca Eisenberg in honor of Adam D. Weinberg 2016.86. © Henry Taylor

  • A red hanging mobile with multiple leaf-shaped pieces balanced on thin wires.
    A red hanging mobile with multiple leaf-shaped pieces balanced on thin wires.

    Alexander Calder, Big Red, 1959. Painted sheet metal and steel wire, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art, and by exchange 61.46a-c. © Calder Foundation, New York / Artists Rights Society (ARS), New York

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.