Roy Lichtenstein: 
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Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

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Model zipping a red-and-blue dotted sherpa fleece inspired by Lichtenstein’s Cathedral #2

Gap–Lichtenstein–Whitney

Our collaboration with Gap and the Estate of Roy Lichtenstein brings the artist’s bold visual language to an 18-piece collection of clothing and accessories. Bold patterns on sherpa. Graphic prints on tees. This is art—worn by you.

Shop the Collaboration

Child drawing on paper titled "Seven Soothing Sketches" with colorful markers and a pill organizer on a table.

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs

A large stainless steel structure—the outline of a pier—hovers over the Hudson River at dusk.

Video

Watch our latest video series to dive deeper into art at the Whitney.

A view of the Museum with people and traffic in the foreground.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

Blurred images of mugshots arranged in a grid against a black background.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.

Dive Into Our Collection

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  • Stylized torso wearing textured, wrapped black garments with cutouts against a gray background.
    Stylized torso wearing textured, wrapped black garments with cutouts against a gray background.

    Christina Ramberg, Istrian River Lady, 1974. Acrylic on composition board, with wood frame, overall: 35 3/8 × 31 1/4 × 1 5/8 in. (89.9 × 79.4 × 4.1 cm). Whitney Museum of American Art, New York; purchase, with funds from Mr. and Mrs. Frederic M. Roberts in memory of their son, James Reed Roberts 74.12a-b. Courtesy of the Estate of Christina Ramberg & Corbett vs. Dempsey.

  • Abstract figure with colorful hair and various objects attached. Text reads "SHE'S HiT" at the top.
    Abstract figure with colorful hair and various objects attached. Text reads "SHE'S HiT" at the top.

    Jim Nutt, She's Hit, 1967. Acrylic on plexiglass, with wood frame, overall: 36 × 24 in. (91.4 × 61 cm). Whitney Museum of American Art, New York; purchase, with funds from the Larry Aldrich Foundation Fund 69.101

  • Three drunk male sailors canoodle with three women in a park.
    Three drunk male sailors canoodle with three women in a park.

    Paul Cadmus, Sailors and Floosies, 1938. Oil and tempera on linen mounted on composition board, with wood frame, overall (framed): 33 11/16 × 48 1/2 in. (85.6 × 123.2 cm). Whitney Museum of American Art, New York; gift of Malcolm S. Forbes 64.42a-b. © Estate of Paul Cadmus / Licensed by VAGA at Artists Rights Society (ARS), New York

  • A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.
    A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.

    Henry Taylor, Huey Newton, 2007. Acrylic and collaged photocopies on canvas, overall: 94 9/16 × 76 1/4 in. (240.2 × 193.7 cm). Whitney Museum of American Art, New York; gift of Martin and Rebecca Eisenberg in honor of Adam D. Weinberg 2016.86. © Henry Taylor

  • Wooden sculptures of four people and a dog, featuring multiple faces and geometric clothing designs.
    Wooden sculptures of four people and a dog, featuring multiple faces and geometric clothing designs.

    Marisol, Women and Dog, 1963–1964. Wood, plaster, synthetic polymer, and taxidermied dog head, overall: 73 9/16 × 76 5/8 × 26 3/4 in. (186.8 × 194.6 × 67.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 64.17a-i. © Estate of Marisol / Albright-Knox Art Gallery / Artists Rights Society (ARS), New York

  • A background of blue obscured almost completely by bright red streaks running up and down the canvas.
    A background of blue obscured almost completely by bright red streaks running up and down the canvas.

    Alma Thomas, Mars Dust, 1972. Acrylic on canvas, overall: 69 1/4 × 57 1/8 in. (175.9 × 145.1 cm). Whitney Museum of American Art, New York; purchase, with funds from The Hament Corporation 72.58. © Estate of Alma Thomas (Courtesy of the Hart Family)/Artists Rights Society (ARS), New York

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.