Shu Lea Cheang
1954–

Shu Lea Cheang (Chinese: 鄭淑麗; pinyin: Zhèng Shúlì; born April 13, 1954) is a Taiwanese-American artist and filmmaker who lived and worked in New York City in the 1980s and 1990s, until relocating to Europe in 2000. Cheang received a BA in history from the National Taiwan University in 1976 and an MA in Cinema Studies from New York University in 1979. Since the 1980s, as a multimedia and new-media artist, she has navigated topics of ethnic stereotyping, sexual politics, and institutional oppression with her radical experimentations in digital realms. She drafts sci-fi narratives in her film scenario and artwork imagination, crafting her own “science” fiction genre of new queer cinema. From homesteading cyberspace in the 1990s to her current retreat to post net-crash BioNet zone, Cheang takes on viral love, bio hack in her current cycle of works.

Over the past decade, she has emerged as a prominent figure in new media art. Cheang is one of the leading multimedia artists dealing with multidisciplinary topics. She is regarded as a pioneering figure in internet-based art, with her multimedia approach at the interface between film, video, internet-based installation, software interaction and durational performance. Her work is often interactive. She is most noted for her individual approach in the realm of art and technology, creatively intermingling social issues with artistic methods.

Cheang's work employs film, video, net-based installation, and interface to explore "...ethnic stereotyping, the nature and excesses of popular media, institutional – and especially governmental – power, race relations, and sexual politics." Cheang has also written and directed the feature films I.K.U. and Fluidø, and directed Fresh Kill.