Advance Exhibition Schedule
Survival Piece #5: Portable Orchard
June 29, 2024–Jan 2025
Survival Piece #5: Portable Orchard marks the first standalone museum presentation of the fully realized indoor citrus grove conceived and designed in 1972 by artists Helen Mayer Harrison (1927–2018) and Newton Harrison (1932–2022). This project explores the need for a productive and sustainable food system in an imagined future where natural farming practices are obsolete and cannot be taken for granted. Stretching across the Museum’s eighth-floor gallery, this installation of eighteen live citrus trees rooted in self-contained planters with individual lighting systems reflects a survivalist alternative in the face of environmental decline.
The Harrisons began their decades-long collaboration in the early 1970s, inspired by emerging environmentalist movements and a growing social awareness of the planet’s vulnerable ecosystems. They brought distinct backgrounds in education and sculpture to their shared creative practice and developed an approach to artmaking that was grounded in cross-disciplinary research and yielded projects that served simultaneously as works of art and calls to action. “To survive as a species,” Helen Harrison reflected, “we are going to have to learn how to grow our own food and take care of ourselves at one point or another. So we started looking at what that means.” Portable Orchard is one of seven Survival Pieces developed by the Harrisons in the early 1970s, each of which proposes an alternative to an existing food production system—from a hog pasture to a shrimp farm. The Harrisons planned for future implementation of these projects by making detailed instruction drawings; the Museum’s recent acquisition of one such drawing was the impetus for this presentation and is on view in the galleries, along with additional archival materials. Portable Orchard reveals the prescient quality of the Harrisons’ research into food sustainability as well as the successes and failures of artificial systems built to sustain life—issues that are even more relevant today than they were fifty years ago when the project was first conceived.
Survival Piece #5: Portable Orchard is organized by Kim Conaty, Steven and Ann Ames Curator of Drawings and Prints, with Roxanne Smith, Senior Curatorial Assistant.
The Harrisons, Survival Piece #5: Portable Orchard, 1972–73 (installation view, Art Gallery at California State University, Fullerton). Citrus trees, soil, wood, and lights, dimensions variable. © Helen and Newton Harrison Family Trust. Courtesy Various Small Fires, Los Angeles/Dallas/Seoul
Edges of Ailey
Sept 25, 2024–Feb 2025
Edges of Ailey is the first large-scale museum exhibition to reflect on the life, work, and legacy of visionary artist Alvin Ailey (b. 1931, Rogers, Texas; d. 1989, New York, New York). Widely recognized for the dance company he founded in 1958, Ailey imagined and cultivated a platform for modern dance through his innovative repertoire, interdisciplinary sensibility, and support of other dancers and choreographers. Presented in the Museum’s 18,000+ square-foot fifth-floor galleries, this multifaceted presentation encompasses a multimedia exhibition, daily performance program, and scholarly catalogue to offer a richly layered experience for understanding the artist anew.
Edges of Ailey will showcase an ambitious daily program of live performances, including works from the Alvin Ailey American Dance Theater repertory and new commissions as well as workshops, classes, and panels. The exhibition situates Ailey within a broader social, creative, and cultural context, illuminating the artists who influenced and collaborated with him, the spaces and scenes he frequented, and the dynamic themes explored within his dances through painting, drawing, sculpture, photography, film and video, rehearsal footage, ephemera, and other archival materials.
Edges of Ailey is organized by the Whitney Museum of American Art in close consultation with the Alvin Ailey Dance Foundation. The exhibition is curated by Adrienne Edwards, Engell Speyer Family Curator and Director of Curatorial Affairs, with CJ Salapare, Curatorial Assistant.
Carl Van Vechten, Alvin Ailey, 1955. Kodachrome color slide, 2 × 2 in. (5.1 × 5.1 cm). Beinecke Rare Book and Manuscript Library, Yale University. © Van Vechten Trust